First monograph on Laurent Sfar, “modification” artist - modifications of meaning, usage and form - whose artistic practice straddles the borders of art, design and architecture. His work transforms; upturns; displaces; sets objects, situations, and protocols against each other. This book simultaneously documents, reports, analyses and interrogates his work. It is structured in three distinct parts, one of them a series of texts by Nathalie Leleu and Paul Ardenne that shed revealing light on a work that is sensitive and, if sometimes absurd or hilarious, always true.