Art Book Magazine

Created by Collectif Nunc, 6 X 6 / 36 — Landscape is  both a book and an exhibition. In it, Annick Bureaud, Cyril Thomas and Jean-Luc Soret collaborate with several artists working in very different fields to approach the question of landcsape: Joan Fontcuberta, Jodi, Catherine Rannou, Jodi Rose, Semiconductor and Jeremy Wood. To curate your own exhibition in your home or around your city, print the QR codes on self-adhesive paper. When scanned on a mobile phone, the QR codes give access to the artworks.

Created by Collectif Nunc, 6 X 6 / 36 — Mobility is  both a book and an exhibition. In it, Cyril Thomas and Jean-Luc Soret collaborate with several artists working in very different fields to approach the question of mobility: Annie Abrahams, Beatriz da Costa, Nicolas Frespech, Antti Laitinen, Albertine Meunier and Servovalve. To curate your own exhibition in your home or around your city, print the QR codes on self-adhesive paper. When scanned on a mobile phone, the QR codes give access to the artworks.

An exclusive essay written for the Robert Mapplethorpe exhibition held at the Grand Palais from 26th march 2014 to 13th july 2014.

What is cinema? What is its effect on us? Why do we love it so much? These are all questions to which Blutch seeks the answers in his considered and humble way, drawing on his prodigious cultural knowledge and his gift for the comic book form. He references Burt Lancaster, Jean Gabin, Michel Piccoli, Luchino Visconti, Claudia Cardinale, Tarzan, Psychose, and many more. As much comic book as graphic essay, this reverie on the narrative art of image marks the advent of one of today's masters of the 9th art.

Paul Pouvreau (born 1956) lives and works between Paris, Argenton-sur-Creuse and Arles. He has been teaching Photography at École Nationale Supérieure de la Photographie in Arles since 2010. Photography plays a central - but not exclusive - role in his practice, which is mainly focused on daily visual signs’ interference with our perception. This monograph covers his work since the 90s with over 150 photographs, drawings, video, interventions in the landscape and architecture.

Over a two-year period, from 2016 to 2018, four French museums —Musée des Beaux-Arts d’Angers, Musée de l’Hospice Saint-Roch d’Issoudun, La Citadelle de Belfort, La Piscine in Roubaix— are joining forces to present Peter Briggs' work. All four museums are multidisciplinary and all focus a part of their exhibition programme on the art of today, and often on artists whose singularity sets them apart from contemporary movements.